Fountaindale Public Library

Guitar theory for dummies, by Desi Serna

Label
Guitar theory for dummies, by Desi Serna
Language
eng
Illustrations
illustrationsmusic
Index
index present
Literary Form
non fiction
Main title
Guitar theory for dummies
Oclc number
858007357
Responsibility statement
by Desi Serna
Series statement
For dummies
Table Of Contents
Machine generated contents note: pt. 1 Getting Started With Guitar Theory -- ch. 1 Guitar Theory in a Nutshell -- Why Learn Guitar Theory? -- Navigating the Fretboard -- Seeing the fretboard as a grid -- Viewing neck diagrams -- Reading guitar tablature -- Playing Scales -- Pentatonic scale -- Major scale -- Modes -- Harmonic minor scale -- Working with Chords -- CAGED chord system -- Adding chord tones and extensions -- Passing chords -- Charting chord progressions -- Testing Your Guitar Theory Knowledge -- ch. 2 Navigating the Fretboard Like a Pro -- Tracing Everything Back to Strings 6 and 5 -- Moving between pitches with whole steps and half steps -- Naming the pitches between natural notes: Sharps and flats -- Grouping notes -- Tracking Notes and Playing Songs with Octaves -- Shaping octaves with your 1st finger on strings 6 and 5 -- Shaping octaves with your 1st finger on strings 4 and 3 -- Shaping octaves that are three strings apart -- Repeating octaves beyond the 12th fret -- Measuring the Space between Pitches with Intervals -- Playing intervals 1 through 7 -- Filling in the gaps with flats and sharps -- pt. II Working With Chords from the Ground Up -- ch. 3 Harmonizing the Major Scale to Form Triads and Chords -- Building Triads and Chords -- Major triad: Building from the 1st scale degree of the major scale -- Minor triad: Building from the 2nd scale degree of the major scale -- Playing through the Seven Triads of the Major Scale -- Playing the Chord Sequence of the Major Scale -- ch. 4 Forming Chord Shapes with the CAGED System -- Making Chord Inversions and Chord Voicings -- Using the C Form -- Using the C form as a moveable barre chord -- Playing a C form arpeggio pattern -- Playing C form chord voicings -- Using the A Form -- Using the G Form -- Using the E Form -- Using the D Form -- Connecting the Five CAGED Forms -- Starting on C -- Starting on A -- Starting on G -- Starting on E -- Starting on D -- Sample CAGED Chord Changes -- Playing Minor CAGED Forms -- Playing the C minor form -- Playing the A minor form -- Playing the G minor form -- Playing the E minor form -- Playing the D minor form -- Connecting the Five Minor CAGED Forms -- Minor CAGED Chord Changes -- ch. 5 Adding Chord Tones and Extensions to Chords -- About Chord Tones and Extensions -- Adding 7ths to the Major Scale Chords i -- Playing major and minor 7th chords -- Playing dominant 7th chords -- Playing minor 7th flat 5 chords -- Working with 2nds and 9ths -- Sus2 chords -- Add9 chords -- Minor chords with 2nds and 9ths -- 9th chords -- Working with 4ths and 11ths -- Sus4 chords -- Add4 chords -- Playing 6th Chords and Blues Shuffles -- Adding Harmony with Pedal Point -- Playing Pedal Tones with Two Guitars -- pt. III Getting to Know Keys, Modes, and Chord Progressions -- ch. 6 Playing Chord Progressions by Numbers -- Drawing Chord Progressions from the Major Scale -- Using Roman Numerals to Represent Chords -- Visualizing Numbers on the Fretboard -- Transposing to New Keys -- Playing Common Chord Progressions -- Playing I-IV-V chord progressions -- Playing major chord progressions -- Adding minor chords ii, iii, and vi -- Playing minor chord progressions -- Starting Numbers on the 5th String -- Playing Chord Progressions with Open Chords -- ch. 7 Knowing Music Inside Out: Identifying Tonics, Keys, and Modes -- Understanding the Relationship between Major and Minor Scales -- Numbering the Relative Minor -- Accounting for any interval changes -- Looking at a few minor key song examples -- Identifying the Modes of the Major Scale -- Ionian (I) -- Dorian (ii) -- Phrygian (iii) -- Lydian (IV) -- Mixolydian (V) -- Aeolian (vi) -- Locrian (vii5) -- Key Signatures and Common Discrepancies -- Looking past the key signature to figure out a song's mode -- Considering some common discrepancies in music notation -- Comparing Scale Formulas and Structures -- ch. 8 Following Key Changes -- Getting to Know Key Changes by Switching Tonics within a Scale -
Target audience
adult
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